text by Wang Wei-Ho
When I'm inside real nature, I often discover there's a hidden space not exposed behind all the connotations. This is a space unseen and extremely intrapersonal; it's a space combination undistinguishable but is able to provide revelation for humans. It's an exploration more exposed than primal urges. Artistic behaviors exist often to find some kind of depth related to the existence of mankind. This kind of exploration for the depth of intelligence is the source of creativity. To me, the space that man can exist in is a primal possession; it is not distributive and it allows the existence of shapes. However, its property is an existential solidity. When I analyze, study, observe and using new paint and cubic elements to gaze at the existential in the existence, I discover that it has multiple cohesiveness, hence our vision is no longer just a receptor, but the track in space after viewing the humanity; it is the real visual philosophy. This is the mode that "watches using visual knowledge", and this is the copy of similarity just like the self in the mirror, but in fact it is not the self but the existing human shape. In actuality, the universe doesn't merely present the surface of objects; only when the existence of the existential is being explored can the hidden mystery be truthfully expressed. This enables me to consider how spaces exist. To me, spaces don't really exist except when accompanied by time, hence, only by creating a absolute present space without time can the primal existence be found. This is a mysterious thing that doesn't belong to any locations. For example, the interaction of railroad tracks is equidistant and that's how trains can function on them; realizing the tracks is the awareness of existence. Hence, art or whatever I'm offering is the representation of visual quality! The closer to the intersecting depths the closer one is touching the two extremes, or the ending and the beginning! Thus, art is very architectural, because the world began with building! |
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