李明學
Lee Ming-Hsueh
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Artist Statement


Mr. Troy’s Mouthwash

PO
Explosion

Heart
Falling
Trust Circle

Suddenly
Rainbow
Present of Absent
Blood-related
Diagonal

Pray
Parallel
Between
Two lovers

Daughter of Wind
Snow White
Cutting
Guessing

Negotiation
About the Integrity Truth

Pin
Specimen
Vital Point

Seeing the Empty
Whisper

Between Writing and Pencils
Dr. Mouse
Lick
Key
Mountain

Make up
Seeing

Eye Contact

This exhibition aims to reread the disorder in our surroundings and the possible deflection of surface narrative. It explores the irreducible threads of thought between objects and words, employs a certain power of humor to retrofit objects that are readily available, and intervenes in the fixed system of meaningful connection. For me, it is not necessary for artworks to lead to any explicit meanings, but to provide a certain possibility of connection. Artworks serve as a field of meanings to be converted, interlaced, exchanged, or grafted, and further elicit different interpretations. They, per se, are not related to the production of absolute meanings, but are an attempt to approach and awaken some ambiguous meanings or consciousness. It is not a field of consciousness which can be easily clarified by language, but an exploration of the intertwined relationship between cognition and sensibility. This exploration may not provide us with a clear-cut answer, but it may generate discussion of something unclear, blurred, and unknown. In this way, the instant the shine comes from the opened crack, it makes possible to keep allegory which could be gazed at in focus.

 

 
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Art Director / Chen Hui-Chiao Programer / Kej Jang, Boggy Jang